Sunday
16Nov

how far should one go?

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While working on the set up that became yesterday's entry, an odor of decay was occasionally quite prevalent in the air. Without intentionally looking for its source, I eventually found it nonetheless. These remains of some canine were under the bridge right above me. I took four quick exposures but didn't study what was before me in any detail. So none of them were the least bit artfully composed - they are indeed snap shots, more so than even most of the entry photos left here.

But while working on this photograph (Full disclosure: only contrast has been adjusted through the use of masks; nothing was moved or added; no colors were altered.) it was inevitable that I begin to think about what it captured. The physical evidence is highly suggestive. The sturdy green collar and the size of the jaw bone show the animal to have been quite large, probably in the 80 -100 lb. range. The position of the head and upper spine in relation to the rear leg show a powerful disconnect. All of which leads me to believe the animal that consumed the dog was incredibly powerful. In these parts, bear is about all that are left that are wild and have this kind of power. Humans don't leave these kinds of evidence behind. Not a pretty image to imagine.

Which leaves me wondering whether I should even be posting this picture. Exactly how upsetting is this image? What would have been more unsettling to me personally would have been the sight of recent carnage. Blood and gore tip over the edge into disgusting, whereas this image may have - and certainly implies - gore but is removed from the incident long enough that there are no traces of blood. It's not exactly antiseptic, and the stench of death is still occasionally present, but whatever suffering took place is long past.

While this is "only" the remains of a dog, why is this less unsettling than if it were human? Simply put: we place more value on human life than any other life form on this planet. This seems to be skewed, but understandable: to each his own. As our connection to "the wild" decreases, our sense of loss seems to increase when unexplained incidents such as this occur.

Coming back to the photograph itself, it is one of those simple documents of what was there. In a scientific sense, it both piques and satisfies my curiosity about events at which I was not present. But what are my motives for showing it here? Merely to titillate with a display of drama and death? I have the same thoughts about much of contemporary photographic reportage. I don't need to see it to be reminded of the cruelty of humans. I see enough of it in daily life in the manner in which we treat other species and the environment in which we live.

Our motives for photographs never seem to be clear or totally unambiguous.


Saturday
15Nov

an appropriation or an homage? Pt. 5

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Jeff Wall's The Storyteller may have been the photograph that got me thinking several years ago about the problem of the "pretty picture." Others have articulated it far better in words than I am able, but it comes down to being truthful about the state of the world today. Which this entire site, devoted to the Man Made Wilderness, is all about.

I see that William Eggleston's "democratic" photographs are on display at the Whitney Museum of Art in New York and will travel next year. His influence is everywhere, is profound. Without it, would digital cameras have bothered to come into existence? His vision is that nothing in the landscape is more worthy of being photographed than anything else.

While I still find it difficult to let go of the ideal view of the landscape, Eggleston's viewpoint is much more obvious to me as I look around at my world and try to find a wilderness that we can live in.

 


Tuesday
11Nov

an appropriation or an homage? Pt. 4

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Maybe there needs to be a concept for this? I'm not there yet, but the photos are coming along nonetheless. What is known is that it's important to get out there and do something, whether there is a fully formed concept or not. For now, I'll leave it at that.

BTW, this is from the same location shown in a earlier entry, which might give it a bit more context.


Sunday
02Nov

decay yes - disgust no

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Now that Mark Hobson seems to have abandoned - at least online - his Decay & Disgust series, I might as well add my 2 cents. This from a rather large bouquet that JDW received as a sympathy gift. Rarely do I find myself writing about the photograph at the head of the entry, but this one seemed to merit doing so. The flowers are almost more beautiful now than when they were fresh - but maybe that's me. Not surprisingly for such a large mass of organic material, they are indeed still quite fragrant. But that too is past its prime. I'll be curious to see how they manage further in time, now that they're safely stored in the multi-purpose-studio-extra-room space.


Wednesday
29Oct

one of those places

 

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We've all got them as photographers. The place that we drive past daily or weekly, trying desperately to figure out what it is that draws our attention, but never quite figuring out how to present/photograph either. This one is behind the airport rental car service area. I've tried to photograph it before - without much success. This past Saturday I was in the vicinity once again. This time in a pouring rain, and it was obvious that what's been missing from the view of this landscape is the reason for this feature's existence: water. P&S in hand, I went out in the rain, got moderately wet, and got a picture that finally makes some sense to me.

It's another good example of having a tool along that can help with the capture, even during inhospitable weather conditions.